In the handful of cities where it was launched this weekend, (500) Days of Summer far outshone the latest 
Harry Potter movie both in terms of cash receipts (it took in nearly twice as much as Harry on a per-theater basis) and in critical praise. Roger Ebert in the Chicago Sun-Times greeted it with a rare four-star review, writing that it's the rare romantic comedy that does not play by "the Hollywood rules," thereby causing audiences to "perk up" as they realize that "anything could happen." Indeed, A.O. Scott in the New York Times described it as "a fairly pointed response to the sorry state of romantic comedy in Hollywood, which runs the gamut from gauzily implausible fantasy to blatant and fatuous dishonesty, with an occasional detour into raunchy humor." This "winsome, accessible movie," he observed, "has a novelty and a measure of bravery working in its favor." Claudia Puig in USA Today raved: "It's hard to imagine a more delightful, witty, well-acted and inventive comedy hitting screens this year." Joe Neumaier in the New York Daily News described it as "the rare romantic comedy that feels like real life."
Monday, July 20, 2009
MOVIE REVIEWS: “(500) DAYS OF SUMMER”
